jonas schiefferdecker, known by the stage name of joney, is an experimental multi-genre music producer, drummer and musician from hamburg, germany.

alex agore with a hot three track deep / vocal house vinyl... 1990s flavoured spirit

again traditional house tunes at its best from the french lhr crew

78 edits strike again with another killer 12&#8243,,,,, for glenview records. two booty shakin’ disco edits: millie jackson’s “put something down on it” b/w “i am somebody” by glen jones. pressed at 45rpm and comes in the glenview custom die cut sleeve. plays from danny krivit, get down edits, sleazy mcqueen, beaten space probe and more

reissue of this 1983 talking heads classic platinum album on heavyweight 180 gram vinyl.

this is what happens when two scientists of the bristol bass continuum collaborate ...
a. keyhole : have you ever stayed awake for 3 days straight? this track runs in a parallel universe to our own - a bit like being in a hole you cant get out of.
aa. hydropump : die & addison groove force-fed the sp1200 with a secret 90s nutrient formula, creating the pairs first ever collaboration – hydropump. no spider mite here.

lasts years debut for pets recordings saw uffe impress with the luxuriantly textured and deep colors inside. amsterdam based uffes next offering for catz n dogzs label goes even further to indulge their penchant for downtempo and complex house hybrids. after recent releases on crosstown rebels and tartelet, times all for pets sees uffe proudly voice an if you dont know, get to know statement on behalf of his unique and experimental compositions.

raw, pumping, grooving, shaking house music. thomas melchior teaming up with tim hutton and maman. let s get the party on!

heidi calls upon miami bad boy jesse perez and detroit maverick jimmy edgar for the third installment of heidis jackathon jams.

after his debut 12inch on werkdiscs comes moires new 3 track 12inch on rush hour. in february, ears were picked by the debut release from moire, a mysterious producer hiding behind hypnotic visuals and a well-groomed cloak of anonymity. now hes ready to show his hand further with this second release, a three-track ep of what he proudly calls london techno.

slamming disco edits, huge dj support: dimitri from paris, late nite tuff guy, leftside wobble, ashley beedle, get down edits ...
cutting his teeth on the uk bar dj circuit with gigs six nights a week, as well as being a member of production duo casio social club, henry greenwood has nurtured an understanding of the vital ingredients required for a killer dance floor groove. from the early days of breaking both the pause buttons on his family stereo system (whilst crafting his first reworks) to spinning alongside derrick carter at londons disco-flavoured club night slide, henry is carving a razor-sharp niche in the ever-evolving re-edits movement.

kicking things off for 2013 on in my house is none other than the big boss man himself, samir maslo. with an early fluttering of love in the air, his amorously titled all my love ep is sure to get pulses racing on the dancefloor.
all my love kicks things off with an insanely catchy lv sample laying down the hook - fun, flirty & a sure fire face on the dancefloor, dont forget to pack this for the valentine ball - you will need it. startin up moves in a different direction with a sublime slice of deepness, bubbling away with a warm baseline and cheeky vocal hook.

rabaukens number 3 release is another great floor record – two nice originals getting remixed by lorraine (mybestfriend) and the mighty italoboyz (mothership, saved records, get physical).

vinyl only! ny based undulate recordings is ready to get serious, and as such launch a new vinyl only sub label that will focus on great house music. for its first release, label bosses billy disciple & al alvarez bring you a new up and coming talent in the form of james ellis aka jpe complete with two remixes from house hero gerd, including one under his classic house moniker ny stomp. on the evidence of their first offering, undulates new vinyl only sub label will fast become house heads favourites.

*** vinyl only release, no digital release***
after sides from matthew burton, seuil and albert schwartz, sammy dees ultrastretch label returns in 2013 with volkan akin. a regular presence at berlin institutions like club der visionäre, akin has been slowly rolling out his brand of prickly, spaced-out club tracks since the end of the last decade, both under his own name and as v for volkan. but if volkan akin has up until now been unfamiliar beyond germany, his ultrastretch debut, voltage, featuring an absolute beast of a ricardo villalobos remix, stands to turn more than a few heads in his direction. densely packed and intricately constructed, voltage is an extended groove you can get lost in. cymbals ring softly amidst whirrs of faintly melodic clicks, scratches and voices. but at the center of akins churning, percussive arrangement lies a warm and weighty kick sure to keep dancers pinned to the floor. like so many great perlon records, voltage can be taken as a deeply considered exercise in sound design or as a deadly club track simultaneously, with akins musical sophistication and knack for an inviting beat working hand-in-hand. the original mix spends over 11 minutes unraveling, but as you fall further into the swirl of akins interlocking rhythms, youre likely to stop counting. a shorter constant voltage mix evokes sunrise, pulling back the originals heft to reveal gorgeous pads and hints of organic rhythm. ricardo villalobos, sammys longtime label mate at perlon and a producer who likely needs no introduction, digs deeper into the thump at the heart of voltage on his acdc remix. focusing on the originals wisps of melody, villalobos turns in a warm, zoned-in remix that feels of a piece with the singular techno trips found on his recent lp dependent and happy

sunkissed recordings latest offering features four balearic gems from the incredible grace jones. one of the faces of the original ibiza party scene, grace spent many a debauched night partying hard on the island and her music was as influential on the original balearic scene as it was in the new york disco underground. first up is the amazing tom moulton 12 version of la vie en rose - a slo-mo sensual disco masterpiece that became an anthem at ibizas amnesia. next up is the extended 12 version of feel up with a fantastic groove that filled floors from the paradise garage to pacha. on the b side, we get nipple to the bottle another stunning sly & robbie production that found favour on the balearic dancefloors and last but not least the extended larry levan mix of the party classic pull up to the bumper.

250 copies - vinyl only! being praised by the likes of derrick may, jamie andersons (cocoon, rekids, dessous) 1992 get remixed by red d, the man behind we play house recordings, fcl its you.

blue love featuring the vocals of erika tele is aux 88 black tokyo love theme for the dance floor. in the vein of detroits 4/4 classics from the past, you can know see that aux 88 has some full circle in their musical quest.
blue love is a happy and beautiful take on love and spiritual release you get while dancing on the dance floor. erika teles angelic robotic vocal make this a keeper.
dark deceptions opens with emotional strings and arp like baseline intro creating a sense of a movie intro. erika teles vocal are spoken words in japanese. the track is clearly a sort of intro for more.
the ep gives you a soft string beat dance driven homage to love. pick this up quickly sure to be classic dj track for aux 88 presents plack tokyo fans.

chicagos own boogie nite drops his 2nd 12 inch on glenview and it is a stunner. 4 cuts all guaranteed to get the dancefloor moving: love u (a bangin disco houser), everything good 2 ya (a slow superfly-tastic jam), free 2013 (a soaring jazz tinged house groover-awesome!) and dat boy again (a punchy disco cut).

turns out that cold meat lights no fire so attached to this music are ghosts of my life transcribing their emotions into techno. first half of this rocket is more on a negative tip, the second half is more positive, like we all should take it. either way you should listen to both sides cause they complement each other, so try to relax and enjoy the ride, or get off your ass and jam.

the second tape in the series, ferro #01 continues the path through the abyss of dubbed out techno sounds: ever forward with off-kilter resonations from the echo chamber and a pounding heart-beat throughout. like #00, this one is again a tape-only-release. each cassette is a unique piece of art – stamped, numbered and equipped with a link to the digital files. but ther is no way to get these files without grabbing a tape!

illusion007 has a licence to kill, coming courtesy of illusion family members acid mondays with a stunning remix at the hands of detroit legend delano smith

missing godzilla kebab? i am in town. just came back with several house-snacks from eastern europe. all the grannies on the block are already in shock. get ready!

release number eight on london house maven george fitzgeralds manmakemusic label, the laszlo dancehall ep, connects two of the uks most exciting young producers: leon vynehall and christian piers. the sample driven crunch of vynehalls earlier productions on manmakemusic can be heard loud and clear complementing the canny but irresistible percussive and vocal shimmies of piers. aside track gave up, championed by george fitzgerald on his recent bbc essential mix for radio one, sets the pace and aims straight at the dancefloor with its strange sonic palette, at once euphoric and gritty. on the flip we get aint no time on which vynehall and piers give us their interpretation of classic house. the final track, manley harrison, is the strangest and arguably most original of the bunch and leaves the listener in no doubt as to why there is such a buzz about these two producers at the moment.

diamond version craft music that is somehow simultaneously futuristic and archaic. on the surface, its static effervescence and mechanistic precision evoke the march of technology and the sinister detachment of late capitalist society. but it affects listeners on a more instinctive level, interfacing directly with the nervous system and rendering the polyphonic chatter of the bodys impulses crisp and cold. there is something oddly permanent about they rhythms they unearth, as though theyare simply tapping into a deeper pulse that has always been present within their circuitry. diamond version is a collaborative project between two of the most groundbreaking, experimental and forward thinking operators in modern music, olaf bender and carsten nicolai. as joint heads of the berlin-based label raster-noton and with solo projects alva noto (nicolai) and byetone (bender), for over a decade they have been releasing work that spectacularly blurs the lines between the visceral and the conceptual, bridging the gap between gallery and dancefloor. diamond version release the latest instalment in their series of eps leading up to an album in summer 2013.

following on from his long awaited album ku:palm in november of last year, we now see its lead track pyramid get a vinyl release on photeks own label, photek productions. the eastern instrumentation and spacey beats may not be apt for every dance floor, but for fans of modus operandi era photek, pyramid is an essential tune. on the flip we have oshun, another track from ku:palm this time remixed by beneath, a producer that began making waves last year with a series of 12 inches on his own label, no symbols and a cracking mix for fact mag. he has gone on to release the illusions ep on dusk & blackdowns keysound recordings, as well as a 12 inch on pinchs influential tectonic recordings. mixing the darkest elements of funky, dub and syncopated grime with a distinctly uk edge, beneaths complex layered beats result in a truly unique sound that is a perfect matched to remix fellow experimentalist photek. a young producer that clearly knows his shit, beneath is a breath of fresh air.

finally the long awaited master collection is back! master collection vol. 9 vinyl part 1 12 limited edition!

i had dinner with breach in london and he told me: hey, i have a track that is really dirtybird. i would put it out but its really sounding right for you guys. i took this with a grain of salt but then i heard lets get hot and i found out he was right. it has got the swagger and the sound. it makes girls grind their asses into boys crotches on the dancefloor. perfect. signed. so i then asked him to make something even more sexual, thinking it would be ages before i got something back. 10 days later the a-side came back to me as a 2 minute clip while i was on the train to warehouse project in manchester. i liked it so much that i edited it on the train to stretch it out to 5 minute. as expected, it slayed the room and the final version breach has delivered is one of the best records of the year in my opinion. with the simple title of jack you can see for yourself when you play it. this is the real deal. love, vonstroke

this time flatlife invites thomas will from uruguay! he is nowadays one of the new funky / hardgroove tribal techno references, with numerous releases, remixes and tracks included in multiple compilations, all of them released on some of the greatest labels of these genres and is also the labelowner of underground noise records. on this special brown vinyl we find a great deep spacy ant remix and a very special oldschool dj esp remix! and jack wax is finishing up this release with an acid floorfiller remix! get your copy!

after the success from medeew on the first release, knock knock continues with the second one.. this time by loopdeville

martin landsky needs little introduction his services to the cause of house and techno have been well documented, particularly through his long and fruitful collaboration with steve bugs poker flat label. always willing to take chances, landsky continues this legacy with what might be the fiercest assault of the dancefloor of the year get ready for ekko trax.

kool vibes groovin ep oozes classic french house vibes form the get-go thanks to the opener no more wastin. stocato rhode stabs are met with quick-jangled percussion, cut vocals (like the french only know how) and thumping beats. underground settles down a little, maintaining a sultry groove with a chord driven hustle, while groovin is upbeat french house at its best. feel it features more juicy and looped up sample action with call and response vocals thrown in for added effect. a must have for the french house connoisseur.

repress of this really hard to find chicago classic from 1988.. must have!!!

we are proud to present 4 exclusive remix cuts on this vinyl only release! when well-established artists meet promising newcomers you get a truly special blend of underground house music. nikola gala, moodyman, joyce muniz, shades of gray, maksim batyunin, reblok and mobile soul system – winners of our remix competition, all on the same playlist! hot selection.
big with: homework, slam, miguel migs, chris fortier, butch, makossa ...

the seven tracks of adda schades concept album rote boje (red buoy) get a new interpretation in a club-conceptual dialogue through seven different producers. the list of remixers speaks for itself.

contains original cd album. the seven tracks of adda schades concept album rote boje (red buoy) get a new interpretation in a club-conceptual dialogue through seven different producers. the list of remixers speaks for itself.

persnickety sounds is here to funk-ti-fy your world! in this era of nu-disco, space disco, cosmic disco, disco house and shit, there must be a beacon of quality to light the way and lead the faithful back to a place where good grooves matter and realness is holding court.let the labels fall and just get it movin.

der an beiden us-kuesten beheimateten band!(gesprochen: chk chk chk) gelingt auf ihrem neuen album eine laessige graetsche: sie feuern nacheinander diverse singlekandidaten ab in richtung tanzfläche, kombinieren sie aber so perfekt zu einem schluessigen ganzen, dass ihr >thr!!!er< auch als album bestens funktioniert

following on from the success of their first release, the cooler heads ep featuring two cuts from detroit legend, rick wade, the boys are back again with their here to stay ep featuring two original tracks and two remixes. label bosses, jon brooks & cecil, take the lead on this one backed by remixes from rising artists, kastil and adryiano

first remix single cut from latest eddie c album country city country . we invited two favorite new producers. one is italian edit master marvin&guy . after the big success of their record on let s get lost, they are into more original production. their remix is simply killer for dancefloor. brightest hope from australia tornado wallace reconstructed original of kraut rock oriented tune to excellent psychedelic slow mo house. it s for the fan of quiet village or andrew weatherall.

luv n haight presents lost soul, a comprehensive collection of material recorded by geater davis for the house of orange label. the name of the album is an accurate description of the life and career of the legendary blues and soul singer who passed away at age 38 while on the verge of breaking through.

new mysterious no name label dropping 4 amazing house tracks, from well known artists showing their skills. the label is focussing on downtempo, warm deep, soulful, and sexy house music, handstamped and numbered. make sure you get your hands on this before its gone.

nice price deal !!! hot on the heals of the retro010 – ajello which is continuing to get hype comes an e.p. from an artist we have been following for quite a while…heion! if you havent heard of the young talented romanian, which is pretty impossible, regarding his output over the past few months, you now have the chance to catch his vibe.

jason bye (space/mambo, ibiza) returns with a couple of new deep, jackin terrys in the shape of alligator originals and get wild. already riding high at #3 in the dmc buzz chart!

al & tone are back! vol. 2 features 4 more soulful selections: why they say a soul/funk edit for serious diggers, believe a funky disco edit for the dancefloor b/w you better get ready a gospel boogie edit and the groovy i wonder , both dj friendly and sure to get the party started!

remastered reissue featuring three fantastic hard-to-find classic rump shakers from hamilton bohannon. bohannon was one of the key forces in disco in the seventies and this is him at his best - his instantly recognisable sound is pure uncut boogie mixing riffing guitars, bad-ass funky bass and pounding drum tracks. first up is the super-rare long 12 inch version of me & the gang a superbly funky track popular with everyone from tony humphries to carl craig with its great chunky beats & a killer piano groove later sampled by paul johnson for his hit get get down, followed by the groove i feel - a monstrously good floor-filling gem unearthed from his 76 album dance your ass off. on the flip you get the awesome full 12:45 minute version of maybe you can dance another slamming disco-funk stomper only ever available as an elusive 1977 12 inch promo. quality stuff!

the german combo-star have worked for many months exclusively in this ep, trying to get the right inspiration. the got it. in my dip and pleasure of pleasure keep the line drawn from tube & berger on 2012: emotive beats for the dancefloor. two well planned music melodic masterpieces which will get tons of plays in 2013.

the recordings for the wires cracked were completed in a frenzied two week period in october of 2012. i had mentioned in discussing a previous albums construction that i prefer to forget how i build any particular electro-acoustic amalgam. this is so that i dont get to precious with them, so that i could refine them further, so that the sounds themselves speak beyond their aggregate parts. with the album being relatively fresh in my mind, i can still recall various components to the wires cracked -- the desolate howl of a metal screen activated by a desert wind, the hissing air compression from the cooling apparatus for a laser at the slac national accelerator laboratory operated by stanford university, and the tremolo rhythms from a thin wire that still get me thinking fondly of günter schickert -- but much of the caustic drone, thrumming reverberation, and tactile grit thoroughly escapes me. that is probably for the best, since these various parts speak to an existential rupturing, the collapse of the self, the aftershocks of dark energy, and a belief in the hope for renewal. (jim haynes)